Photorealistic top-down (plan) view of a low outdoor lounge sofa whose entire frame is built from slender powder-coated pale-blue steel rod welded into an open grid cage, fitted with soft pale-grey upholstered seat and back cushions and a single square scatter cushion. It sits on a warm sandstone / terrazzo paved terrace in clear daylight, casting a delicate lattice shadow. A person in a dark top reclines on it reading an open design magazine. Calm, editorial, Kinfolk-style, muted natural palette. Shot straight down. No text.

slow top-down push-in over the wireframe sofa as the person turns a page of the magazine; the lattice shadow shifts gently in the sun. no bgm.

Photorealistic warm studio desk scene. A small-scale physical prototype of the same wireframe sofa — a fine bent-wire cage with miniature pale-grey cushions — sits on a solid timber workbench, and a designer's hands adjust it with a slim metal tool. Behind it, an iMac shows a clean 3D CAD model of the identical sofa in greyscale wireframe; a cork mood board pinned with fabric swatches, sketches and material samples fills the wall, an angled desk lamp to the right. Soft daylight, shallow depth of field, tactile and considered. No text.

gentle handheld drift across the desk as the hands turn the wire prototype; the CAD model on screen and the swatch board sit softly out of focus behind.

Photorealistic intimate close-up of a hand holding a pale dusty-blue paint / colour swatch card up against the woven grey upholstery and the powder-coated pale-blue steel grid of the sofa, comparing the tones in raking sunlight. The card's colour chip and a sliver of white label read clearly; the metal rods and textured fabric fill the soft-focus background. Warm daylight, very shallow depth of field, the quiet act of choosing a colour. No text.

macro shot, the hand lifts and tilts the swatch card against the blue rod frame; the textile texture and metal catch the light, very shallow focus.

Photorealistic over-the-shoulder shot of a hand holding an iPhone that frames the corner of the wireframe sofa and the terrazzo paving on its screen, as if previewing the piece in place / capturing it. The real pale-blue steel grid arm and grey cushion sit just beyond the phone, the camera UI faintly visible on the display. Bright outdoor daylight, terrazzo and lattice shadow, casual and contemporary, product-in-the-world feeling. No text.

the phone steadies and slightly reframes the wireframe sofa on its screen; subtle parallax between the on-screen view and the real piece behind it.

Photorealistic frontal elevation of a wall hung with the collection's open shelving — three long pale-blue powder-coated steel-rod grid baskets cantilevered off a soft off-white wall, holding pale ceramic vases, neatly stacked design books and a small potted plant. A woman in a beige knit and skirt stands to the left sketching in a notebook, studying the arrangement. Even soft daylight, long gentle shadows of the grid on the wall, calm gallery-like styling. No text.

slow lateral track along the wall of grid shelves; the rod shadows stretch across the wall and the woman glances up from her sketch.

Photorealistic wide outdoor shot of a garden terrace set with the collection's dining range: a rectangular table with a pale top on a fine pale-blue steel-rod grid base, ringed by matching wireframe chairs with light upholstered seats. Lush subtropical planting — palms, agaves, succulents — and a low rendered wall behind, a suburban roofline beyond, bright clear daylight on pale pavers. A person stands at the far side photographing the set with a camera. Relaxed, sunlit, lifestyle catalogue feel. No text.

slow steady dolly toward the dining set across the pavers; foliage sways faintly and the person lifts the camera to take the shot.

Photorealistic hero shot of a tall floor lamp from the collection standing in a quiet concrete gallery: a slender powder-coated pale-blue steel-rod grid column, wider at a square base and tapering up, topped with a soft pale fabric drum shade glowing warm. A person in dark clothing browses a grid of timber and material swatches mounted on the far wall. Polished concrete floor, deep soft shadow, one warm pool of light from the shade, theatrical and calm. No text.

camera drifts slowly around the glowing wireframe lamp; the warm shade light steadies and the person studies the swatches in the background.