Clean architectural axonometric line drawing, thin technical pen strokes on a pale off-white ground, of a two-storey Victorian heritage terrace house with a hipped roof, chimney and a cast-iron-lace verandah. A lightweight rectangular screen frame stands slightly proud of the street facade, drawn as a fine steel sub-frame gridded with small clear plastic bottles laid on their sides, like a second skin peeling away from the masonry. No colour, no shading beyond light hatching; a crisp conceptual sketch that reads as an early design study.

the axonometric sketch draws itself in, the heritage terrace appearing first in thin pen lines, then the bottle-screen sub-frame lifting away from the facade as a delicate second skin; slow, deliberate, hand-drawn feel.

Photorealistic-meets-watercolour street view of a two-storey Victorian heritage terrace, red brick with a cast-iron-lace verandah, warm late-afternoon light. A shimmering second-skin facade of thousands of clear recycled PET bottles on a slender steel sub-frame is being installed over the street elevation; a worker on an aluminium ladder fixes a panel while a pedestrian and a cyclist pass on the footpath. The left third of the image dissolves into a loose architectural line-and-watercolour sketch, the right resolves into full photoreal, showing design becoming reality.

slow parallax dolly along the terrace street elevation, the clear bottle screen catching low sun and glinting; the worker on the ladder fixes a panel, the cyclist glides past, the watercolour edge shimmering into photoreal.

Photorealistic extreme close-up of a facade made of thousands of clear recycled PET bottles held in a fine steel grid, seen at a steep angle against a bright blue sky with soft clouds. Sunlight refracts through the clear plastic, each bottle a small light-diffusing lens. A human hand reaches in from the right to touch the surface. The left edge of the image dissolves into a faint architectural line-drawing of the steel sub-frame, the rest fully photoreal, tactile and luminous.

macro push along the clear bottle wall as sunlight refracts through the plastic; the hand reaches in and gently touches a bottle, the surface glinting and sparkling with the parallax.

Photorealistic interior view from a heritage terrace verandah looking out through a full-height second-skin screen of clear recycled PET bottles at sunset. Warm exposed brick, timber and soft furnishings; a person is seated looking out through the shimmering bottle screen, which filters the low sun into a soft amber, dappled light across the floor. The left of the image eases into a loose line-and-watercolour sketch of the same space, the right fully photoreal and glowing.

gentle drift across the verandah toward the seated figure as golden sunset light filters through the clear bottle screen, the dappled pattern shifting slowly across the floor and walls.

Photorealistic warm interior living room in a heritage terrace at golden hour, a person reading in an armchair beside a full-height window screen made of clear recycled PET bottles. Late sun pours through the bottle wall, refracting into a warm, dappled glow across the timber floor, exposed brick and soft grey sofa. The left portion of the image dissolves into a delicate architectural line-and-watercolour sketch of the room, the right resolving into full photoreal warmth.

camera holds on the reading figure as warm golden light pours through the clear bottle screen and scatters in a dappled glow across the room; a second figure drifts quietly through the space, unhurried.