Clean white line-drawing axonometric of the whole La Source Vive campus: a shingled dome concert hall, a low linear pavilion with a sawtooth glazed edge, hatched forest and paths around it — an architect's ink site plan, near-matching the viewpoint of the finished aerial so it can render in place.

Static camera, slow settle: the ink line drawing fills with slate, copper and autumn colour and becomes a photoreal drone photograph in place.

Cinematic autumn drone photograph of a pre-patinated copper dome, its shingled shell rising from a woodland clearing above Lake Geneva, a low black standing-seam pavilion and timber deck beside it, late-November canopy in rust and gold, flat overcast light.

Aerial descends and drifts clockwise around the copper dome toward the glowing glass pavilion at dusk.

Photoreal dusk render of the glazed sawtooth pavilion glowing warm at the edge of the clearing, the dark copper dome catching the last light behind, bollard-lit gravel, wildflower meadow, tall bare trees framing the view.

Camera pushes forward through the tree trunks toward the warm glazed pavilion.

Photoreal dusk render walking a bollard-lit gravel path through the woodland toward the long lit colonnade of the concert hall, orange interior light spilling between slim columns, foreground planting and tree trunks screening the frame.

Steady tracking walk along the lit path past the glowing colonnade, trees passing in the foreground.

Photoreal render at the glazed threshold of the pavilion at dusk, warm timber and glass, the dark hall beyond — the last exterior frame before the camera breaks inside.

Crash zoom forward through the glass and into the round concert hall (speed already baked into the clip) — played back at half speed so the reveal breathes.

Photoreal interior render of the 490-seat concert hall: a ribbed raw-plaster dome with a glazed oculus, a suspended brass acoustic reflector and lighting rig, a ring of tan leather seats stepping down to a pale rose-beech stage — the room built as a sounding board.

Slow orbit inside the chamber, the suspended reflector and the ring of seats sweeping past.

Photoreal interior render of the auditorium's acoustic wall — bands of sculpted white-plaster waveform ridges behind the tan leather rows, a slatted timber balustrade — the frame the camera pulls back out of.

Crash zoom back out of the hall and through to the board-marked concrete foyer (baked-in speed), played at half speed.

Photoreal interior render of a board-marked concrete foyer below the hall: dark polished floor, a curved fluted timber counter under warm downlights, a large woven-rattan sunburst relief on the wall, rattan lamp stems — raw and warm.

Camera moves forward through the concrete foyer and rises into the timber reception hall.

Photoreal daylight render of a timber reception hall with exposed trusses and rafters, a long fluted timber bar counter in a slim black frame, black enamel pendants, forest visible through full-height glazing at the left.

Swift pan across the long timber bar beneath the exposed trusses toward the glazed wall.

Photoreal sunset render through a full-height glazed gable, sun flaring low through the trees, a timber deck and bistro tables beyond, warm pendants, light streaking across the pale oak floor.

Camera moves to the glass and whips out through it to reveal the pavilion nestled in the golden-hour wooded slope (baked-in speed).